Welcome to James Goldman’s The Lion in Winter, where Henry II dukes it out with his estranged and rich queen, Eleanor of Aquitaine, along with their scheming sons, John, Geoffrey and Richard (yes, that’s the Lionhearted one). There’s plenty of psychological weaponry here, but also plenty of potential knife-play, imprisonment, decapitation, warfare and banishment: all the fun toys that royals like to play with.
And play they do, with plots and counter-plots, witty dialogue, threats, lies and betrayals, all worthy of the Bard himself. But they also engage in very Shakespearean moments of biting humor, emotional beauty and endearment that we have grown to cherish.
Henry, Eleanor, and their twisted offspring are ancient historical figures from the distant past. But they remind us of people we know. They are, in a word, accessible; and quite potently so. They speak in modern language -- embellished with a few contemporary metaphors and random anachronisms along with smart alliteration and clever descriptions of each other—so that we can readily identify with them, and even care about them. We also get to chuckle and laugh at them, an excellent way to develop an understanding of ourselves in the process.
The play takes place on Christmas Eve for a family get together. Henry allows Eleanor one day out of prison for the Sacred Holiday. (Yes, she’s been there for ten years). This offers her the opportunity to plot against him once more with the help of her favored son, Richard. Yes, Richard is an ambitious warrior who is willing to go along with her ploys to grab everything he desires.
Geoffrey, the least favored, is “a device…he’s wheels and gears” always plotting with whoever has the advantage in order to gain power for himself and maybe become king after all have fallen. John, Daddy‘s favorite, is too indolent and a profligate to guard the advantages his father keeps planning for him. He’s always “ruining everything” and will “never learn”.
Throw in French Princess Alais, another attractive prize, and Richard wants everything for himself. But the King has other plans for Alais. Sounds familiar?
Curtain Call Theatre has assembled a fine cast of actors from its growing roster of talent: mavericks Mark Gregory and Gretchen Belgrave; add new comers to CCT John Rowan, Diz Struffles, Clay Matthews, Crystal Carpenter, and Jake Hamil; and you have a memorable and distinguished cast.
Directed by Michael Tabib and stage managed by Joe Potter, The Lion In Winter opens April 14 and plays on weekends for eight performances only through April 29 at Russian River Hall, 20347 Hwy. 116, Monte Rio (one block East of Rio Theater). For reservations and dates call 707-524-8739.
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